Genre and the Middle Ages
Tales After Tolkien: Medievalism and Genre in the Twenty-First Century
Abstract deadline: 8 January 2014
Contributions are sought for an edited collection titled Tales After Tolkien: Medievalism and Genre in the Twenty-First Century. The collection explores the ways popular genres engage with the history and literature of the Middle Ages, and with the very idea of ‘the medieval’. What are the intersections of medievalism and genre in modern popular culture?
The questions chapters might ask include, but are not limited to: how genre conventions shape the use of medieval material and vice versa? In what ways do contemporary social, cultural and political issues intersect with the medieval in popular genres? How do authors approach the Middle Ages and medieval material? What is the role of audience expectations and beliefs? Is historical authenticity important, to whom does it matter, and how is it defined?
Chapters may focus on any popular genre, but contributions exploring romance, horror, mystery, and historical, westerns, cross-genre works or comparing genres are especially welcome. They may focus on works in any medium, e.g. fiction, film, television, graphic novels, and games, or consider multi- or transmedia medievalisms. Chapters exploring fan communities, audiences, and adaptations are also welcome. They should focus on works first published in the twenty-first century, although series which began before that date could also be considered, as could comparisons of recent works with earlier publications.
Chapters will be 6,000 to 7,000 words, including all footnotes, references, etc., with first drafts due 1 June 2014, and final versions 1 October 2014. The volume will be offered to Cambria Press, which has expressed interest in seeing the manuscript proposal.
In the first instance, an abstract of approximately 300 words along with a brief CV should be sent to firstname.lastname@example.org by 8 January 2014. Any queries may be directed to the same address.